Posted by: Matt Browner Hamlin | February 23, 2009

Proof

You know, for a blog about “Alcohol and American Life,” New York Times’ Proof blog seems to spend very little time publishing essays about alcohol and a whole lot of time on other subjects. While the blog has two people that no longer drink writing about it and has devoted some attention to alcoholism, I find it odd that last week’s post by Brian McDonald uses alcohol fueled addiction as a metaphor for reading novels.

One of the challenges of running a group blog is keeping it pointed in the same direction. Sadly the Times’ blog doesn’t seem to have much of a compass. There are a couple great writers – notably Paul Clarke – who contribute, but the pace, subject, and attitude of the blog on whole is very uneven. I’d say that, from memory, a plurality of the posts are either about alcholism, stopping drinking, or stopping going to bars. Only a few posts are dedicated to specific spirits or cocktails or cocktail bars. There’s also a healthy number of posts on nostalgia and romanticized drinking. As I said above, Proof doesn’t really always run in the same direction.

I raise this because I find it frustrating as a reader to see a rudderless blog. The microphone the Times affords its writers is one of the biggest online. It would be great if it came across as one where the editors read each author’s work and created a unified thread in the content of the site.

Posted by: Matt Browner Hamlin | February 20, 2009

PS 7’s

I’d been meaning to go to PS 7’s for some time, especially since Gina Chersevani started tending bar there. I finally made it last night and had two pretty fantastic drinks.

I started off with a Scorched Milk, made with Woodford Reserve bourbon, Sauternes, and scorched milk, topped with some grated spices (it seemed like nutmeg, cinnamon, and suger mixed together but I could be wrong). This really is a drink best had after dinner, given the sweetness of the milk and the Sauternes, but that didn’t stop me from enjoying it before food. It was light, sweet and complex. The wine and bourbon balanced well and the flavors from the milk and spices added a lot of depth. I could see this being a pretty perfect cocktail for a cold winter evening by a warm fireplace, but it did just fine in a packed bar.

The other drink I had was easy as Sunday Morning, made with Plymouth Gin, kumquats, cactus honey, and soda water. The kumquats were muddled but floated in the drink, giving it a beautiful color and the appearance of two floating orange balls. What was nice about this was that it was a light, sweet drink, with strong orange flavors but nothing overpowering. The kumquat didn’t dominate, but there was enough coming through from the muddled fruit give it real flavor. While the Scorched Milk fit the temperature but not the setting of the evening, I could see sipping a few easy as Sunday Morning’s on a summer afternoon.

Both the cocktails I had at PS 7’s were outside my usual scope. They were unique, complex, and balanced. I love going places where I can expand my horizons and try new creations; PS 7’s fit the bill. I would love to go back and spend more time at the bar, though I had already tried the “Yes We Can”ton and the Situation Rum at another event (they were great). The bar was really packed and fortunately while we had seats at the bar, our table came up just as we were finishing the second round, so we didn’t have to deal with the crush. Hopefully I can find a time to come back when the bar isn’t so crowded, but I’m glad the crowd in the bar didn’t affect the quality of the drinks.

Posted by: Matt Browner Hamlin | February 18, 2009

James Beard Awards

Congrats to Todd Thrasher (of Restaurant Eve and PX) for being a semifinalist for the James Beard Award “Outstanding Wine and Spirits Professional.” Also, Cork — home of great barman Tom Brown — is a seminfinalist for “Best New Restaurant.”

Posted by: Matt Browner Hamlin | February 13, 2009

Fallback Drinks

Rick at Kaiser Penguin wants to know what folks fallback drinks are when you end up at a bar where the bartending skills don’t extend beyond knowing to pour a wicked strong rum and coke or a really tall Long Island Iced Tea. Good question and one that I actually get asked a lot by friends who find out I’m into craft cocktails. In short, my fallback plan, pretty much in this order is:

  • Beer
  • Irish whiskey on the rocks
  • Bourbon and Ginger Ale or Vodka-Soda

This is pretty much what I drank before I discovered good cocktails and I can fall back to it whenever the situation requires it.

How about you? What do you drink at a dive bar?

Posted by: Matt Browner Hamlin | February 13, 2009

Le Tourment Vert Responds

In response to The Great Astroturf Pushback of Aught Nine, Le Tourment Vert has reached out to the cocktail blogging community and offered a full apology. Gabe at Cocktailnerd has posted the letter from Ashley Garver, the Field Marketing Coordinator for Distillerie Vinet Ege SA which distills and imports LTV.  It seems the LTV is no longer having the astroturfing PR firm, Cashmere Agency, represent them publicly as a result of their behavior and the pushback by cocktail bloggers.

A few notes…

First, the coordination of postings by cocktail bloggers is pretty remarkable. Easily a plurality, if not outright majority, of regularly updated cocktail blogs posted on the same subject on the same day. Vinet Ege’s response was very rapid as well. More importantly, they did the right thing and apologized for the behavior of the people they employed to represent them online.

Second, as I’ve mentioned a few times in passing, I work in the political online space. I’ve seen quite a few kerfuffles over the last few years where political staffers engage in similar spam or astroturf comments on blogs in favor of their boss or against their opponents without disclosing who they work for. The response by cocktail bloggers and subsequent action by Vinet Ege to stop Cashmere Agency from speaking for them online is as fast and effective a response I’ve ever seen.

Third, disclosure and honesty is key. Really, there’s nothing more important than being clear about who you are and who you represent when speaking professionally online. I currently work for a national labor union and I’ve worked on a presidential campaign, senate campaign, and advocacy campaigns doing online outreach and blogging. I always disclose my connection to my employer (or client) when commenting on matters related to my work, even if not directly advocating on behalf of my employer. The most heartening part of Vinet Ege’s response was their commitment to transparency:

Any online communications on blogs or message boards from this point forward will be will be clearly identified as emanating from our company or representative.

Exactly!

I’d also add that I would much rather have an employee for a distillery or a representative of theirs comment on my blog and disclose it than have someone come in and pimp a product for the sake of it. Honest disclosure of people commenting professionally on my blog gives me the ability to engage a representative in much greater detail about the product. That is, disclosure makes it more likely, not less, that a product can be discussed on a blog!

Finally I should add again that I was never subjected to astroturf comments by people from Cashmere Agency. I blogged about this because it is interesting to me and because the behavior of PR reps with cocktail blogs is very important. I spend a lot of time on this blog. Most of the bloggers affected by Cashmere have been at this far longer than I have. Spamming and astroturfing is a question of respect for peoples’ personal work.

Since I put up my post yesterday, a PR rep for another company noted my post when introducing himself. That, to me, is the right attitude because it showed that he actually read my blog and wasn’t just pulling my email address from a culled spreadsheet.

Additionally, while I was writing this post, I received an email from Ashley Garver of Vinet Ege. Included in the email was the same apology posted at Cocktailnerd and a desire to hit reset with me and Le Tourment Vert. This effort is appreciated, again given the fact that my blog was not visited by astroturfers from Cashmere Agency. I’m glad that Vinet Ege has been responsive to the concerns of cocktail bloggers during this ordeal and I hope that other public relations companies, distillers, and importers are all taking note of what has happened over the last few days. It is highly instructive and people that fail to learn these best practices for blogger outreach are not going to be appreciated.

Posted by: Matt Browner Hamlin | February 12, 2009

The Great Astroturf Pushback of Aught Nine

While I haven’t been hit by spammers from Cashmere Agency, the PR firm representing Le Tourment Vert “absinthe,” the coordinated pushback by top cocktail bloggers is really quite impressive. Over the last day, about eleven cocktail blogs have written posts calling out Cashmere Agency and LTV for leaving spam comments on their blog and generally being bad, dishonest advocates for their product.

The short version is that a number of top cocktail blogs started getting comments from people praising Le Tourment Vert, explaining how they never liked absinthe until they tried LTV, or how some magical bartender made them a cocktail with LTV and they now love both it and cocktails.

In the political world, paid commenters for candidates, campaigns, issue groups, or business lobbies are called astroturfers. The comments they leave are called astroturf. Why are they called that? Because the companies, campaigns, or firms doing this sort of online engagement are trying to imitate grassroots support for whatever it is they are pushing. But it’s not grassroots – it’s paid for and it’s fake and it’s annoying. Astroturfing lowers the quality of a comment section and it takes up bloggers’ time that could be better used to produce real content or, in this case, review products submitted to them.

In the few months I’ve been cocktail blogging, I’ve received emails from PR reps or liquor companies themselves on an almost daily basis. They range from recipes to bulletins about upcoming events to info about new products. Some of the time they explicitly offer to send me a sample of their product for review. Having worked in the political internet space for about 4.5 years, I can say this is a volume of unsolicited communication to bloggers that vastly outpaces best practices in politics. But sales and advertising are different animals than political persuasion, so I’ve gone with the flow. I’ve been fortunate enough not to get spammed and I’ve found that a number of PR shops are very responsive to my particular requests (Padilla Speer Beardsley, K Public Relations, & La Force+Stevens stand out thus far).

My thing is pretty simple – most recipes are made and distributed to appeal to casual consumers, not cocktail afficionados. As a result, most recipes I get sent are fairly unappealing and thus I don’t post on them. But if someone thinks their stuff is good and want me to review it or try a recipe, sending a sample is the best way to do it. After all, reviews are PR and PR isn’t free. Most of what I do on my own I do for pleasure, but when specifically asked to produce something on behalf of a PR firm and spirit company, a sample with which to do it is a reasonable request. After all, in my political blogging, when publishing houses wanted me to review books, they sent me copies to read. Beyond that, I’m happy for people to take interest in my blog.

That’s why the pushback against Cashmere Agency and Le Tourment Vert is so interesting to me. Cocktail bloggers have had enough and they’re saying so in the most powerful way they can: by blogging about it. As I said above, I haven’t been contacted by Cashmere nor have I been victim to their astroturf comments. But I did try LTV at a tasting in a NYC liquor store a couple months back and my response was basically: it stinks. It has a low ABV for absinthe, a minty taste that doesn’t quite make sense for absinthe, and seems like it was made with the idea of turning low information drinkers onto it. The slick bottle is certainly a sign of that. I would recommend someone looking for absinthe to try Kubler or Mata Hari if they wanted to give absinthe a shot. But stay away from LTV.

Here’s a list of the cocktail blogs and their posts on Cashmere Agency’s astroturfing for Le Tourment Vert (mostly compiled by Gabe at Cocktail Nerd):

Gabe at Cocktail Nerd

Darcy at The Art of Drink

Jon at DrinkPlanner

SeanMike at Scofflaw’s Den

Marleigh at SLOSHED!

Blair at Trader Tiki’s Booze Blog

Chris at An Exercise in Hospitality

Stevi at Two at the Most

Tiare at A Mountain of Crushed Ice

Paul at the Cocktail Chronicles

Chuck at Looka!

Posted by: Matt Browner Hamlin | February 12, 2009

The Magnificent Seven

I’m on Gary Regan’s Ardent Spirits email list and today he included a link to The Magnificent Seven, a promotional site/video for Diageo’s World Class Bartender Competition. The Magnificent Seven features seven world-class bartenders making drinks, but the video and site layout is one of the coolest pieces of web design I’ve ever seen, especially with the incorporation of video. I work in the internet professionally and I’ve seen a lot of gimmicky sites out there – this is not one of those in my view. Well done!

Posted by: Matt Browner Hamlin | February 11, 2009

Hannibal Hamlin

While reading Gary Regan’s, The Joy of Cocktails I came across a cocktail called the Hannibal Hamlin. The cocktail was listed on the pyramid menu outside of Harry Johnson’s bar Little Jumbo in New York City (page 18). The list included a number of classic cocktails still made today like the Mint Julep, Tom Collins, Absinthe Frappe, and Manhattan Cocktail, but one stood out: “Hannibal Hamlin.” Hannibal Hamlin was a senator from Maine in the mid-1800s and served as Abraham Lincoln’s first vice president. He’s also family to me (and most people who go by the name “Hamlin”), so naturally I was very curious about the recipe of this cocktail. Regan’s book didn’t include it, nor could I find it on any online cocktail databases or cocktail books in my possession.

Harry Johnson was one of the great barmen of the late 1800s. In 1882 he published a book, titled New and Improved Illustrated Bartender’s Manual. I thought that might be a good place to find a recipe for the Hannibal Hamlin. After all, if it was good enough to write on the wall of his bar, it was likely good enough to make it into his book. Johnson’s Bartender’s Manual is currently being reprinted by Mud Puddle Books. I reached out to Greg Boehm of Mud Puddle and asked if his version included a recipe for the Hannibal Hamlin. Unfortunately, it did.

Greg proceeded to start an investigation into the recipe, searching old books and manuals for the recipe. After a few days he found a Dutch cocktail book with a recipe. He did a rough translation of it:

in the sorbet freezer.
the juice of half a lemon.
the juice of half an orange.
1 / 2 glass of fine ice deleted.
1 pipe glass of cognac.
1 pipe glass of rum.
2 tablespoons honey.
This also freeze and serve in a silver cup.
N. B. The honey solve with cognac and rum.

Hannibal Hamlin

Hannibal Hamlin

I tried an approximation of it and it was clear I wasn’t getting it right. Greg said he’d keep looking, but I had a feeling that this was simply a recipe that wasn’t quite good enough to stand the tests of time. It did, however, provide the inspiration for my H.H. Punch a little while back.

Out of the blue this week I got another email from Greg saying he’d found a new recipe that worked much better than the one above.

Hannibal Hamlin
1 1/2 ounce arrack
1 1/2 ounce cognac
1/2 ounce maple syrup
3/4 ounce orange juice

From Die Modernen Getraenke by F. J. Beutel (1919)

This is a very strong, boozy cocktail. The arrack and cognac give it two dominant flavors that play fairly harshly together. The orange juice is sweet but only adds a light citrus tone – perhaps some lemon would make sense. I’d initially thought the half ounce of maple syrup would be way too much, but the strength of the base spirits actually make the syrup necessary. As I continued to sip the drink, stronger vanilla-cream flavors merged in with the orange. I was impressed with the combination of flavors – they started out very boozey and sweet but ended up working well together.

I’m totally indebted to Greg Boehm and am currently on my way to ordering a few old cocktail books from Mud Puddle Books. I’d love to be able to do more of this research on my own in the future, but am greatful that there are people out there ready to help answer questions that date back 150 years.  Check out CocktailKingdom.com for more on Greg and Mud Puddle Books.

Posted by: Matt Browner Hamlin | February 10, 2009

Ooga-Mooga

As I’ve said before, I’m not a huge tiki guy. But I am blown away by the size and range of tiki mugs for sale at Ooga-Mooga. If I ever want to start collecting, I’ll know where to go.

Posted by: Matt Browner Hamlin | February 7, 2009

Battery Park

A new Manhattan variation for the weekend:

Battery Park
3 parts Jim Beam Distillers Series Bourbon
1 part Dubonnet Rouge
3 dashes cherry bitters
2 dashes Angostura bitters.

Stir over ice and strain into a chilled cocktail glass. Garnish with two bourbon cherries.

Posted by: Matt Browner Hamlin | February 6, 2009

The 44

On Inauguration Night, I went to a party hosted by Derek Brown, Owen Thompson, and a number of other DC Craft Bartending Guild members. One of the events was a recipe submission contest, with the theme being a cocktail to honor President Barack Obama. I ended up having the winning submission, but since one of my ingredients in the recipe wasn’t available at the party, we weren’t able to sample the drink. Here’s the recipe of The 44, in honor of our forty-fourth president.

The 44
2 parts Applejack
1 part sweet vermouth
dash Angostura bitters
dash Orange bitters
Float Hope (aka champagne)

Pour ingredients except for champagne over ice and stir. Serve in a cocktail glass. Float about 1 oz of champagne on top.

This week I stopped by The Gibson while Derek was behind the stick. Neither of us had found the time to try The 44, so we decided to make it at the bar. The drink actually turned out much better than I thought it would. It had an intense apple spice, with the strong apple tones merging with the wormwood of the vermouth to give it added punch. In hindsight Derek and I thought Fee’s Whiskey Barrel Aged Bitters would probably be better suited than the Angostura/orange combination.

Derek decided to try another version of the cocktail with the Whiskey Barrel Aged Bitters. Here’s what he came up with.

The Second Term
2 parts Applejack
1 part port
dash Fee’s Whiskey Barrel Aged Bitters
Float champagne

Pour ingredients except for champagne over ice and stir. Serve in a cocktail glass. Float about 1 oz of champagne on top.

This is an entirely different drink. The 44 had a cider color, while The Second Term has a deep purple hue from the port. The drinks were so different, we figured they couldn’t share a name. Since both were in honor of Obama, I figured The Second Term would work for Derek’s creation.

It was fun making these drinks with Derek. In my experience it’s rare to have two first-try hits in a row, but I think we walked away from The Gibson Wednesday night with two solid new cocktails.

Posted by: Matt Browner Hamlin | February 6, 2009

New to the Four Seasons

I just found out from Derek Brown that Kevin Diedrich, formerly of Bourbon & Branch, is in DC doing a stint bartending at Michael Minas’s Bourbon Steak in the Four Seasons in Georgetown. Derek gave Kevin the highest praise, encouraging me to leave The Gibson and go straight to the Four Seasons on Wednesday night (I elected not to).

Alcademics had a post up on Diedrich’s move to DC a few weeks back. I’ll just say that San Francisco’s loss is going to be DC’s gain. I look forward to stopping by the Four Seasons and trying some of Kevin’s drinks.

Posted by: Matt Browner Hamlin | February 4, 2009

Todd Thrasher’s Number 6


Washingtonian has a post up on PX’s Todd Thrasher. While starting off describing his recent success in a New York cocktail contest involving Domaine de Canton, the post includes a video of Todd making a new drink, Number 6, which looks truly amazing.

Number 6
Todd Thrasher, PX

¼ ounce Creole Shrub orange-based rum
1 ounce Clement dark rum
1 ounce house-made orange syrup
¼ ounce house-made vermouth
Liberal dash of house-made orange bitters
2-ounce topper of house-made orange soda
1 spherical chunk of ice
Orange air*

*Orange air is a combination of house-made orange soda and soy lecithin blended together until it becomes ‘orange air,’ or the consistency of sea foam. The air is used as a garnish to the drink and is optional, so don’t fret if you don’t have soy lecithin at home or a special blender like Todd’s.

Mix both rums, syrup, vermouth, and bitters together in a shaker. Give a rough shake. Pour through a double strainer into a martini glass.

Posted by: Matt Browner Hamlin | February 4, 2009

On Gin

My immersion in the cocktail world, especially through this blog, has lead me to find many new recipes and spirits that I never had tried or in some case heard of before. I’ve evolved my palate substantially over the last year or so. But the start of this blog really kicked things into overdrive.

When I started A Jigger of Blog, I was very inclined towards rye and bourbon cocktails. The Old Fashioned, the Manhattan, and the Sazerac were probably my three favorite cocktails and when in cocktail bars, I tended to order drinks with rye or bourbon as a matter of first recourse.

Yet as I’ve explored craft cocktails and done heavy reading of cocktail books and blogs, something has changed. I still love whiskey cocktails and no doubt the three drinks listed above still rank high on my go-to list. But without even noticing it, I’ve become a gin guy.

I have far and away more different types of gin than anything else in my liquor cabinet. I’m more inclined to try new gins and see how varying the gin in drinks changes the taste (though this is something I’m doing extensively with vermouth as well).

The Martinez proved to be a gateway cocktail for me. I’d never been a Martini fan before I had a Martinez. Learning to enjoy the combination of gin and vermouth (with their good friends maraschino and orange bitters) opened the door, though. I would now say that the Martini is in my top three favorite drinks. What really opened the door for the Martini was getting over a fear of vermouth that came from growing up drinking as an American in non-cocktail culture. Now I drink Martinis and when I drink Martinis, I drink them 50/50. As far as I’m concerned, it’s really the only way to have a Martini, though we’ll see how my tastes continue to evolve.

It might be somewhat ironic in a post about my newfound enjoyment of gin to say that I think a Martini should be equal parts of gin and dry vermouth. After all, if I like gin so much, why would I want to sully it with vermouth? Well in my mind the virtue of gin is that it’s so well suited for cocktails. And cocktails aren’t about packing as much straight booze in a glass as you can. Taste matters, complexity matters, and creativity matters.

With that in mind, here is the current list of gins that I’m working with at home. It’s a list that has expanded a lot over the last couple of months and will probably continue to expand.

  • Plymouth Gin
  • Martin Miller’s Gin
  • Broker’s Gin
  • Boodles British Gin
  • Junipero Gin
  • No. 209 Gin
  • Hayden’s Old Tom Gin
  • Bols Genever

I don’t know when I’ll next be adding to my collection, but I have my eye on Aviation, Hendrick’s, and Tanqueray No. 10.

Which gins am I missing out on?

Posted by: Matt Browner Hamlin | February 3, 2009

DC Bartending Classes

My friend Derek Brown of The Gibson (and other noble cocktailian pursuits) is teaching a series of classes on bartending at Culinaerie. I thought readers might be interested in the opportunity to learn how to bartend from one of the best. Below is Derek’s description of the course:

I’m teaching a new course at Culinaerie on home bartending. It’s a three part series beginning Monday 2/16 and will continue each consecutive Monday on 2/23 and 3/2. This is an abbreviated version of the training I give to professional bartenders. It includes a professional bartending kit and guest appearances from some very talented mixlogists, including Hendricks Brand Champion Charlotte Voisey. The price for the series is $225. (If you think of how much money you’ll save by entertaining at home, is well worth it.)

This is a good Valentines Day gift and, quite literally, the gift that keeps on giving when your S.O. has a new mixology pedigree and can whip up the classic cocktail of your choice. This is a small class with hands on instruction so expect to learn a lot! Click on the links below to sign up.

Class One: Setting The Bar
During this lesson, students will learn how to select bargain spirits for their home bar and tools of the trade. Students will also learn how to squeeze juices, make syrups and master ice.

Class Two: The Classics Never Go Out of Style

During this lesson, students will learn how to make ten classic cocktails, including the Classic Gin Martini and Pisco Sour. Students will also be introduced to fundamental techniques such as shaking, muddling and stirring.

Class Three: Go Forth and Entertain!

During this final lesson, students will learn how to create their own signature cocktail and tips for entertaining guests. After, students will be able to throw parties and bartend for friends while looking like a professional.

Posted by: Matt Browner Hamlin | February 2, 2009

Inside TDN


Last Thursday, TDN featured Mata Hari absinthe. I wasn’t able to participate because I was traveling for work, but the event was hosted in DC at the Tabard Inn. The guys from Scofflaw’s Den have posted a video from the bar. It looks there was a great turnout for the live event and I’m sorry to have missed it.

Posted by: Matt Browner Hamlin | February 1, 2009

Forbidden Island Tiki Lounge

Photo from forbiddenislandalameda.com

Photo from forbiddenislandalameda.com

While I was in the Bay Area last week I got a little lost driving around Alameda. As I was driving, I drove past a tiki bar and thought to myself, hey wouldn’t it be fun to stop by a tiki bar while I am in California. Incidentally later in the week I was browsing cocktail blogs and came across a post that linked to the Forbidden Island tiki lounge. It turns out this was the bar I’d driven past, only a few minutes from where I was staying in Oakland. Naturally I decided to make the trip back to Forbidden Island, this time intentionally.

One of the things I really like about the tiki scene in cocktail culture is the kitsch that comes along with it. Maybe it’s because I used to live in Hawaii, but I’ve always prefered the tiki side of cocktail kitsch to the speakeasy side. It reminds me of aloha spirit and seems to encapsulate more about the comraderie of people coming together the way they used to than bartenders wearing vests and passwords at the door. Tiki bars were big following World War II precisely because the warm, tropical feel contained in them was portable to parts of the US that were frozen solid in the winters and the closest thing to a beach was found on the label of a Malibu rum bottle.

Stepping into Forbidden Island, it was immediately clear why the tiki bar once was a huge part of the American drinking scene. It was a great dive, beautifully decorated but not over the top with polish. It looked like the grass thatching over the bar and booths had been through a few storms. The bamboo framework around the booths had surely seen a lot of good action over the years. The walls were covered in worn wood paneling and the ceilings were adorned with glass ball lanterns and other nautical detritus. Above the bar, dollar bills had been pinned to the ceiling by customers using paper drink umbrellas. The bar was dimly lit with a very chill mix of 1950s beach songs and soul music playing. A tv near the front of the bar had an old Hollywood surf movie playing with the sound off. In short, it’s the sort of bar that I could see myself becoming a regular at for its atmosphere alone.

I was also impressed by the selection behind the bar. In addition to having a rum collection that was probably in the 75-100 varieties range, there was a big selection of bitters and a lot of other top-end cocktail spirits that I wouldn’t expect to find their way into a tiki lounge. Near the middle of the bar a small sign was hung that read “No Corona! Lots of Lime!”

I only stayed at Forbidden Island for two drinks. My first was a Classic Mai Tai. As far as tiki drinks goes, the Mai Tai is pretty much my favorite and is actually making its way into my regular rotation (especially since The Gibson uses homemade orgeat syrup). Unfortunately for me, it looked like Forbidden Island used Torani orgeat, a fairly bland bottled orgeat syrup. Either their pour of Torani was light or I prefer a more orgeat-y Mai Tai, but I thought the drink I had was lacking in almond flavor. That said, it was still a pretty good cocktail. It had a big sprig of fresh mint, well positioned next to the straw to add nose to each sip. It was a better Mai Tai than I’ve had almost anywhere else, but it didn’t blow me away.

My second drink was a Fog Cutter, made with gin, rum, brandy, orgeat, and a float of sherry. Interestingly, the drink was stirred with an electric milkshake shaker, something I hadn’t seen before. Again the drink was garnished with a fresh sprig of mint that gave the cocktail a great deal of depth. It was a pretty perfect example of how mint can bring out more layers to a drink.

I realized while I was here that tiki drinks really don’t do it for me. The emphasis of sweet, fruity flavors with heavy booze tones just doesn’t give me what I’m looking for in a cocktail. Or at least, it isn’t what I think of when I say I want to have a well crafted cocktail. Clearly this is a comment on my palate and what I like than anything to do with the Forbidden Island.

For me, Forbidden Island is a great example of a really fun bar that takes drinks seriously, while not being a place for perfectionism in bartending. No one is going to confuse it for Death & Company or The Gibson, but so what? It’s got a great decor, a huge rum selection, an adventurous cocktail menu of over 20 drinks, and a very chill atmosphere. Like Corridor 44 in Denver, Forbidden Island shows that you can still be an incredible bar for fine drinks while keeping away any vibes of exclusivity or pretension. Sometimes you just want a good, low-key place to have a drink without friends and don’t want to worry about the door policy. I’d certainly love to come back and spend more time exploring tiki drinks, as I don’t want to write off a major category of cocktails just yet.

Posted by: Matt Browner Hamlin | January 27, 2009

The Holland Bar Reopens

I haven’t lived in New York City for a few years, so I hadn’t known that The Holland Bar had even been closed. But it’s good to know that it’s back open! I’ve only been to the Holland once, but I had a great time sitting and talking with friends over a few beers. It’s the quintessential dive bar – one bar, crammed in stools and nothing else. The walls were covered with pictures from NY and their customers. And if I can remember correctly, I believe they used to have a sign on the wall that said “Free Beer Tomorrow” – which I jokingly remarked to a friend, “Hey, let’s come back tomorrow.” We didn’t come back and I haven’t been there since, but I always think of it when I tell friends who don’t know New York what a real dive bar is like.

Posted by: Matt Browner Hamlin | January 24, 2009

Bourbon & Branch

I’ve written before about my preference for cocktail bars that put the quality of their drinks ahead of the atmosphere, especially when the desired atmosphere is a quasi-fetishized speakeasy. Having a hidden door or a password to get in might be cool at first blush, but it doesn’t make the drinks better made or the bar staff any more knowledgable. I’ll happily take a bar with killer cocktails, a great menu, and bartenders that know their spirits with a bright neon sign pointing you inside ahead of any bar projecting nostalgia for Prohibition.

The point is that I’m always a little skeptical about the bars that aim to have the aesthetic lure along with featuring cocktails. I wasn’t sure what to expect with Bourbon & Branch, one of San Francisco’s most famous cocktail lounges, known for its speakeasy style. I hoped for great things, but was worried the idea of the bar might get in the way of the product it put out. And I was happy that my fears were completely unfounded.

Bourbon & Branch has no sign. It only takes reservations and a password that changes daily is required to get inside. Once in, you’re welcomed by a dimly but not too dimly lit space, with walls covered in red fabric, a tin ceiling, massive chandelier, and a bar brick back bar wall. There are front and back rooms, as well as an upstairs and a hidden library space. Jazz plays at a perfect volume – always present, but never coming close to drowning out conversation. The bar itself is a perfect mix of accessible bottles and high shelves for stuff that spends more time neat than mixed. There are even horizontal shelves to keep some key spirits ready to hand without taking up much space. The register is big, old, and brass – serving as a division between the two bartender work spaces, while adding an old time feel behind the stick.

Bourbon & Branch’s menu is huge, big enough to require an index up front. It’s broken down by seasonal cocktails, champagne cocktails, cocktails from other bartenders that they like, B&B originals, classic cocktails, and then a decent selection of gin, bourbon, whiskey, rum, tequila, and other spirits. It’s certainly one of the more overwhelming menus I’ve seen in a long time at a cocktail bar. To wit, I usually order two drinks unique to a bar on my first visit then return to some of my staples. That was hardly possible at Bourbon & Branch, as I couldn’t leave so much behind untasted.

I started off with an O’Farrell St. Fizz, made with Booker’s Bourbon, blackberry liqueur, all spice dram, lemon, egg white, and topped with soda. It was garnished with ground nutmeg. It was a beautiful red-purple color and started off with a strong allspice and nutmeg flavor that was dominant to the blackberry. There was a soft push between the bourbon and lemon undertones that added nice depth to the drink. The fizz was made with a wet drink, so the consistently wasn’t so much fluffy as creamy. As I progressed through the drink, the blackberry liqueur dominated more. It took on a real winter fruit flavor to it, reminiscent to a berry pie. While I enjoyed this drink and thought it was a nice combination of flavors, I wasn’t blown away by it. That would come next.

The Clairmont Affair won the award for best cocktail in San Francisco in 2008, according to the San Francisco Guardian. I don’t know what else was in the running, but I find it hard to believe that there’s something out there better than this. The Clairmont Affair, as far as I can tell, is a twist on a Manhattan. It’s made with pear-infused Old Overholt Rye, Amaro Nonino, Fee Brothers’ Whiskey Barrel Aged Bitters, and topped with clove essence. The drink has an expectedly strong clove nose to it. It starts quite sweet but becomes more bitter in its aftertaste. The pear infused flavor isn’t dominant, but seems to have really mellowed out the rye. The amaro provides both the sweetness and a nice bitter, without a quinine finish. I can imagine the process of elimination to find an amaro that didn’t have too strong a quinine end to it and the Nonino is a great fit. As I continued to taste the drink the whiskey barrel bitters became the more prominent bitter flavor over the amaro. This was a simply phenomenal cocktail. It’s new, but has a classic flavor profile. Ian, the bartender who was serving me all night, said the Clairmont Affair was one of their most popular drinks, surely a sign the B&B’s customers have damned fine tastes.

I rarely order beer cocktails, but the Troubadour looked too interesting to pass up. It was on their seasonal menu and is made with cognac, Lillet blonde, Cherry Heering, lemon juice, and Delirium Tremens. Delirium Tremens is a Belgian strong pale ale, with 9.0% ABV. It struck me as the sort of beer that would be very difficult to use in a cocktail and it’s one of my favorite Belgian beers, so I figured I had to give it a try. The Troubadour was light and accessible, despite its wide range of ingredients. All of the spirits were balanced in a way that I’ve rarely experienced. I was able to taste each individual ingredient in the drink, with nothing overpowering any other. It was a great warm, yet refreshing cocktail. While I don’t think it was my  favorite drink of the night, it was the one that most impressed me for its flavor and balance — the ingredients set a very high bar for success and the Troubadour cleared it with grace.

At this point I switched to some of my regular drinks. I had what could have been the best Martinez I’ve ever had, followed by a 50/50 Junipero and Vya dry Martini, made with homemade orange bitters. Again, the drinks were incredibly well made, exactly how I wanted them.

I was going to call it a night at that point, but Ian suggested I try the Garbo, one of his creations. How could I say no? It’s made with manzanilla sherry, Stone’s ginger, pear brandy, whiskey barrel bitters, and topped with sage tincture. Coming off of a Martinez and a Martini, this was a perfect end to the evening. It was a light, balanced cocktail that combined sweet and savory flavors magnificently. The dry sherry, pear, and bitters all played well together, while the ginger flavor was subdued, adding an undertone of spice. The sage tincture wasn’t overpowering and added a nice nose to the drink too. This probably isn’t a cocktail that I would see on the menu and decide to order, but I really enjoyed it, again especially after having two classic gin cocktails.

A couple more thoughts, in no particular order.

First, I was incredibly impressed by Ian’s skill behind the stick. Every single drink I had was perfectly poured. I don’t usually hold it against bartenders, but I’ve had more than a few drinks at all of my favorite establishments were the measurements going in were proportional but not enough to fill the glass the drink was being served in. Each one of Ian’s cocktails were filled exactly, and I’m sure I only noticed it because it was so precise every time.

I was seated at the bar and through the course of the night fell into conversation with parties seated at either side to me. In each case, the subject of the conversation was cocktails: what we were drinking, what we liked, what brought us to Bourbon & Branch. I got to talk about my love of craft cocktails and how I became a blogger, as well as helping some of the other guests find drinks they might like. Which, in my mind, is the point of a bar like Bourbon & Branch. Talking about the drinks while enjoying them, speculating about what else might be good, thinking intensely about what sort of flavors we like…all of this is a sign of being brought together by the cocktail. The immersion into the idea of the cocktails is what makes the experience fun. It’s very rare that I’ll go to a bar by myself, as I much prefer spending time with friends. I was a bit hesitant about going to B&B on my own, but felt the opportunity to visit one of the west coast’s most famous bars was too good to pass up. In the end, though, I had a great time talking to other guests of the bar, all because of the social pull of craft cocktails.

I’m not sure when I’ll next have an opportunity to go to Bourbon & Branch, but it will certainly be on my list of destinations when I’m in the Bay Area from here on out. If you’re reading this blog, I can almost guarantee that you’ll enjoy Bourbon & Branch as well. It’s reservation only, so visit the bars website to get in ahead of time.

Posted by: Matt Browner Hamlin | January 17, 2009

PX

Pretty much since I moved to DC this past fall and started looking around for good cocktail bars and bartenders, I’ve been planning on making a trip to PX in Alexandria. Last night I finally got to go and I’m sorry that it took me so long.

PX is located above Eammon’s Dublin Chipper, with its entrance lit up by a blue light. Upon entering, we were led upstairs. PX’s layout is smaller than I expected. It has a railroad layout that goes from a sitting room to the bar area (with one small table) to a back room with four couches. My party of four was initially seated in the back room, but it was pretty cold (about zero outside) and we moved into the bar, taking seats at the lone table and away from the windows. The whole space had a very warm, familial atmosphere to it. It was comfortable and though each room was different, they all preserved a high degree of intimacy. The door policy keeps the bar from becoming too crowded, something that I think is critical to enjoying craft cocktails.

Todd Thrasher is the famed bartender of PX, though he wasn’t working last night. Clinton was tending bar and I was thoroughly impressed with the quality of the drinks throughout the night. The two page menu had about 25 drinks on it and my party of four was able to explore about half of it. Because it was so cold last night, I wanted a good warming drink with some weight to it. I started with Eric’s Irish Flip, made with Powers whiskey, cream and nutmeg. It was perfectly done — light and creamy with a good balance between the whiskey and the sweetness of the cream, egg, and sugar. It was exactly what I expected to get from the drink description, something that is always a plus when dealing with dairy in cocktails.

After the flip I wanted to try something unique to PX, so I order a Boris Karloff — made with house elderflower liquour, Plymouth Gin, and Kaffir lime. It came out with a light foam on top, making me think that it was made with egg white. Again it was a very well balanced drink that wasn’t cloying, while being light and refreshing. The house elderflower liquour was much softer than St. Germain and it didn’t dominate over the other ingredients. I think this may be the best drink I tasted at PX, though I don’t think it’s the sort of thing that I would want to drink regularly, so I won’t say that it was my favorite.

My favorite of the drinks that I ordered – and probably of what everyone else ordered as well – was The Elixer. It was made with winter tonic, bourbon, and Domaine de Canton ginger liquour. PX is known for making their homemade tonic and apparently they make seasonal variations to it was well. The winter tonic was heavily flavored with Indian spices, notably cardamon and clove. The cocktail itself had heavy ginger, clove, cardamon, and cinnamon flavors to it. It was complex with a nice spice from the ginger, but nothing was overly dominant. It was sweet but not bitter or boozy. The body was somewhat similar to ginger beer that’s been mixed a bit, but I wouldn’t go too far with the analogy. It was a delightful cocktail and one that I would be happy to drink regularly.

I was fortunate enough to have three companions at PX with different tastes, so I got to try a number of other drinks. The ones that stood out to me were The Smoker’s Delight, The Winner, and the Gin and Tonic. The Smoker’s Delight was an incredibly interesting drink, made with tobacco, honey syrup, a honeycomb, and Basil Hayden’s Bourbon. It was reminiscent of an Old Fashioned, but far more complex. The Winner was made with rum, Domaine de Canton, and jalapeno (I may be missing some ingredients from my notes). I’ve found making drinks with jalapeno to be very challenging and often times see recipes that over do the role of the jalapeno. That wasn’t the case with The Winner – where only enough jalapeno made its way in to give a little heat, on par with what you find in the Domaine de Canton. It was a real hit.

I’d heard about Todd Thrasher’s homemade tonic before coming to PX and honestly didn’t know what to think. While I expected something better than the usual sweetly Schweppes, I didn’t have a sense of what the top end for tonic could be. As a result, the Gin and Tonic blew my socks off. My friend Michael, on taking his first sip, said “Oh God, that’s so tasty!” — which is a pretty accurate expression for how we all reacted when we tried the drink. The PX G&T was light, not sweet like most commerical tonic waters. It had fairly dominant lime flavors, with strong, balanced spice to the tonic. It wasn’t merely quinine and sugar, but a complex drink that has far more in common with a craft cocktail than the highball that most Americans grow up on in clubs and dive bars alike. Without question, if you go to PX you have to try the Gin and Tonic.

I’m really glad I finally made it to PX. I had a great time, loved the space, and interesting, original cocktails. I look forward to going back sooner rather than later, especially now that I know the trip isn’t that far from northwest DC.

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