Posted by: Matt Browner Hamlin | August 12, 2010

Beer Video Battle

I can’t pick a winner. Maybe you can.

versus

I guess the ideal would be re-editing the bottle opener video with the music from the Red Stripe video’s audio.

Posted by: Matt Browner Hamlin | August 11, 2010

Suffering History

Derek Brown’s latest piece at The Atlantic is a really interesting history of the Suffering Bastard, a favorite of mine. I had no previous knowledge of the drinks colorful history (to go along with its colorful name). Here’s the recipe Derek uses for his Suffering Bastard:

Suffering Bastard

2 dashes Angostura bitters
Ginger beer or ginger ale
1 ounce gin
1 ounce brandy or bourbon (according to your tastes the night before)
1 teaspoon lime juice, sweetened (Fee Brothers or Rose’s sweetened lime juice)

Fill highball glass with ginger beer or ginger ale. Add remaining ingredients, stir well, and decorate with slice of lemon and slice of lime and a sprig of fresh mint. Drink deeply.

Seriously folks, if you’ve never had one of these, I highly recommend it. It’s far more complex and interesting than your usual Bourbon & Ginger or Dark & Stormy. Plus it’s one of the best examples of how cocktails using two very different base cocktails can be made and still be balanced, complex, and refreshing.

Posted by: Matt Browner Hamlin | August 5, 2010

Rickey Contest Ends, But Rickey Consumption Goes On

The Third Annual DC Craft Bartenders Guild Rickey Month has come and gone, but DC remains hot and muggy. But as it goes, we have a New Champion who will reign over the city that birthed the Rickey: Alex Bookless of The Passenger. Her cocktail, The Root of All Rickey, came in first place in a very tough field that included Dan Searing of Room 11, Gina Chersevani of PS7s, Adam Bernbach of Proof & Estadio, and David Fritzler of Tryst.

I liked Alex’s cocktail – it was light and refreshing and was the only entry I tasted that effectively used both gin and bourbon in the recipe. That said, I think I preferred Dan Searing’s Balmy Rickey, which was simpler and really in line with the traditional Rickey. I also really enjoyed Adam Bernbach’s Salty, Limey, Ginny Thing, which was a really interesting and complex take on a traditionally simple drink. Making a more complex tasting Rickey while having it still be a Rickey is quite an achievement.

Svetlana at Brightest Young Things has the recipes for both Alex’s winning cocktail and Dan’s, which came in second. Here they are:

The Root of All Rickey by Alex Bookless

1.25 oz Hendrick’s Gin
0.5 oz Woodford Reserve Bourbon
Juice of half a lime
4-5 oz root soda (her recipe)

Build over ice and serve in a red wine glass or goblet.

Balmy Rickey by Dan Searing

1.5 oz Woodford Reserve Bourbon
1/2 of a lime, quartered
8 lemon balm leaves, plus a spring
1 tsp 1:1 simple syrup
Soda water

Muddle lime with lemon balm in a highball. Add bourbon and simple syrup and stir. Add ice and stir again. Top with soda water and garnish with lemon balm sprig.

Kudos to the DC Craft Bartenders Guild for putting on another phenomenal month of original cocktails in honor of DC’s original cocktail. The Rickey is a tremendously simple cocktail and modifying it while having it still be a Rickey is a very tough task. But those who were able to do it produced some really great drinks that will hopefully stay on District cocktail menus for a long time to come.

Posted by: Matt Browner Hamlin | July 29, 2010

DCCBG Rickey Month Finalists

2010 Rickey Month Final Party

It’s time to party!

Of this list, I’ve only had Dan Searing’s Lemon Balm Rickey. It was phenomenal – perfectly a Rickey and still an original cocktail. What’s more, it’s a bourbon-based Rickey and in my experience these are among the hardest to modify well. Kudos Dan!

I hear Adam Bernbach and Gina Chersevani’s are also incredible, though I can’t say that is surprising.

I’ll be at The Passenger this coming Monday to see which comes out on top.

Posted by: Matt Browner Hamlin | July 29, 2010

RIP Meryl Kerkhoff

Before I got into cocktails and before I got into rye whiskey, I got into Templeton Rye. Templeton is a Prohibition era whiskey made in Iowa. I was working on a political campaign at the time and Templeton was a favorite of our Iowa field staff. It’s really a great product – one of the more interesting ryes in my view, built more for sipping than cocktails. Sadly, it’s not available any place I’ve live since then, but if you or a friend is passing through Iowa, make sure to pick up a bottle of Templeton.

I received an email from Templeton today announcing the death of Meryl Kerkhoff, their master distiller. I never met the man, but he made a rye that has literally been the definition of for me over the last number of years. Templeton has recently completed a series of videos of wherein Meryl reminisced about his time and experiences with Templeton. The first segment is posted above and the video playlist can be viewed here.

The full email from Templeton announcing Meryl’s passing is below the fold.

Read More…

Posted by: Matt Browner Hamlin | July 26, 2010

Judge Dredd

I’m going to be a judge tonight in Washington City Paper’s Clash of the Cocktail competition. I may be so overcome with enthusiasm for judging this contest that I decide to also take on the roles of jury and executioner, though that may be considered impolite for this sort of thing. I’d previously written about the contest here.

This will be my first foray into judging, but fortunately the panel has other very talented and knowledgable people, including Phil Greene of The Museum of the American Cocktail. I’ll post updates about the event later on, so stay tuned.

Posted by: Matt Browner Hamlin | July 26, 2010

More on the Wild Turkey Blogger Tasting

Good update – video from the Wild Turkey Blogger Tasting that I wrote up last month is now online. Check it out above.

Posted by: Matt Browner Hamlin | July 13, 2010

Bourbon Cocktail Challenge: A Lively Corpse & the Danube Sling

Via Mike at Whisky Party, I found out the Brandy Library in New York is having a small, non-professional only cocktail creation contest featuring Elijah Craig 12 year old bourbon. The Bourbon Cocktail Challenge is taking place this week and I’ve submitted an original creation to it.

Here’s my submission to the contest:

A Lively Corpse

1 oz bourbon (Elijah Craig 12 year old)
1 oz triple sec (Luxardo Triplum)
1 oz vermouth blanc (Dolin Blanc)
1 oz fresh lemon juice
2 dashes absinthe (Kubler)

Combine all ingredients and shake over ice. Double strain into a chilled cocktail glass. Garnish with a bourbon cherry.

I was actually pretty surprised and pleased to get a workable Corpse Reviver variation with a bourbon base. This comes out quite well-balanced, though still boozy and tart. The Dolin Blanc actually holds up far better than I’d expected with some robust ingredients.

While I really enjoyed making A Lively Corpse, it was actually the second drink I’d submitted to this contest. My first is a drink I call the Danube Sling.

Danube Sling

2 oz Elijah Craig 12 year old
1 oz Maraska Pelinkovac
0.75 oz simple syrup
0.5 oz fresh lemon juice
3 oz club soda
Pour Elijah Craig, Pelinkovac, syrup and lemon juice into a shaker, add ice and shake. Double strain into an ice-filled highball. Top with club soda. Garnish with a thick lemon peel and a bourbon cherry.
I actually think this is one of the better balanced and accessible drinks I’ve ever come up with. I have a strong preference for boozy, rich, savory cocktails – not that there’s anything wrong with that – but what usually happens as a result is that my originals are cocktails that my girlfriend, Lori, thinks are too strong. And I’m sure many people would agree with her. The Danube Sling is light, crisp, refreshing and complex. While having a slightly bitter profile, it should be accessible to most drinkers.
Maraska Pelinkovac is a bitter liqueur from Croatia that actually sits somewhere between a quinquina or bitter fortified wine and what you normally would think of a bitter amaro. Because of this, it can be used in lieu of either a vermouth or a more bitter liqueur. I’ve really only seen Pelinkovac used at cocktail bars in Portland, Oregon – I’ve never seen it in DC. It’s somewhat hard to get, though I know you can get it at Astor Wine & Spirits. Anyway, I checked with the Brandy Library and it wasn’t an ingredient they could carry, so I submitted A Lively Corpse instead.
For those still interested, the deadline for the Brandy Library’s Bourbon Cocktail Challenge is July 14th and only amateurs can submit recipes for consideration – no professional bartenders allowed!
Posted by: Matt Browner Hamlin | July 9, 2010

Rickey Month

I would have noted it sooner, were I not on vacation, but we are now into July and the third annual DC Craft Bartenders Guild Rickey Month.

The Rickey is probably the most famous cocktail native to Washington DC.  Here’s the story:

Invented in 1883 at Shoomaker’s by George Williamson at the bequest at Colonel Joe Rickey. The drink consists of any base spirit with lime juice and sparkling mineral water or soda. The original was with Bourbon served in a goblet with ice and the lime shell was dropped in the glass. It was not served with sugar.

Derek Brown often describes the Rickey as “air conditioning in a glass.” Living in DC for a number of years now, I can attest with great conviction the validity of Dereks’ description. There really are few things more refreshing on a hot, humid, swampy DC summer day than a Gin Rickey or my vermouth blanc variation. Plus the recipe model allows for any base spirit – so if gin or bourbon isn’t your thing, try it with something else!

Marshall at Scofflaw’s Den has a rundown of all the participating bartenders, a list that seems to grow dramatically every year:

Owen Thompson of Café Atlantico
Gina Chersevani of PS7′s
Chantal Tseng of Tabard Inn
Adam Bernbach of Proof
Dan Searing of Room 11
Clinton Terry of PX
Jayson Smith of PX
Justin Owens of PX
Rico Wisner of Poste Brasserie
David Fritzler of Tryst
Joey Ambrose of W Hotel
J.P. Caceres of Againn
Duane Sylvestre of Bourbon Steak
Laura Secker of Vermillion
Elli Benchimol of Chef Geoff’s (both locations)
Amy Troutmiller of Urbana
Joseph David Cleveland of Oyamel
Mike Cherner of Mie N Yu
Milton Hernandez of Bibiana
Rachel Sergi of 701
Jessica Crandall of Bourbon (Glover Park)
Theo Rutherford of Ripple Wine Bar
Alex Bookless of the Passenger
Julia Hurst of the Passenger
Alex Nichols of the Passenger
J.P. Fetherston of the Passenger and Columbia Room
Patrick Owens of Jaleo

Last year I didn’t get to do a good job of sampling the Rickeys being offered around town. I aim to do much better this year.

If you’re in DC, any of these bars should be able to serve the cocktail regardless of whether or not the bartender who has created it is behind the stick. Marshall has more details about how to sample Rickeys around town this month and where the final hootenanny will be:

On August 2nd beginning at 6:30pm at The Passenger in Mt. Vernon Square (1021 7th Street, NW) there will be a Rickey party sponsored by Hendrick’s Gin and Woodford Reserve Bourbon.

What? That’s not good enough? Geez, you youngins and your whatnots . . .

Okay then, go to one of the participating establishments to sample a Rickey and get you a Rickey passport. If you visit ten contestants during the month of July, and get your Rickey Passport stamped, entrance to the finals of the contest is free. Otherwise, the event will be $10 at the door and include one free classic Rickey.

Finalists will be serving their drinks to attendees at a cash bar and competing for the grand prize of $1,000 chosen by special guest judges Ana Maria Cox of GQ, Jim Hewes of the Round Robin Bar at the Willard, Tad Carducci of Tippling Bros., Peter Smith of PS7’s and Jenn Larsen of WeLoveDC.com.

There go folks…now go off and get cool in the DC heat!

Posted by: Matt Browner Hamlin | July 7, 2010

Piña Colada

I just spent a week vacationing in Puerto Rico – a couple days in San Juan and the rest in Vieques. I drank more Piña Coladas in the last eight days than I have in my entire life beforehand.  Puerto Rico in July is HOT and Piña Colada is a great cocktail to cool off. Is there any other time to have a frozen cocktail than when it’s in the upper 90s?

While in San Juan, I stopped by Restaurant Barrachina and the Caribe Hilton, both of which claim to have invented the Piña Colada in 1963 and 1954, respectively. I’d been to Barrachina before and enjoyed their Piña Colada, which was made with Ron del Barrilito Two Star. The downside with it is that they serve it mixed from a frozen drink machine and then add rum to it without mixing. They do this because they regularly serve over 1,000 Piña Coladas a day and do even more during peak seasons. It’s an understandable problem, but definitely detracts from a well-made cocktail.

The Piña Colada at the Caribe Hilton was mixed from scratch, but made with white Puerto Rican rum. It lacked the flavor of an aged rum. I ordered a second one with aged rum and got a fairly wild and overly potent concoction that used three kinds of dark rum. It was basically undrinkable.

Between the two, I’d say I preferred the Piña Colada from Barrachina by a long way.

But neither of the claimed originators provided the best Piña Colada I had on the trip.

In fact, the best Piña Colada I had in Puerto Rico – sampling from about twenty bars and restaurants in San Juan and Vieques – was from the W Hotel in Vieques. It was rich, creamy, and balanced, with great consistency and a paper-thin dried pineapple cross section as a garnish. Duffy’s in Esperanza was a close second, though it was interestingly made with Cruzan aged rum. Bananas in Esperanza was also top notch, though not quite as flavorful and rich as the one available at Duffy’s, it had exquisite consistency. I definitely got a kick out of two of the best Piña Coladas in Puerto Rico that I had coming from waterfront dive bars and not the slick joints that claim to have created the cocktail. At least that was my experience.

For a complete analysis of the history and recipe of the Piña Colada, check out the work of Giuseppe and Richard of Painkiller.

Posted by: Matt Browner Hamlin | June 22, 2010

Wild Turkey Bourbon Tasting

Last week I participated in a live tasting and web video chat with Wild Turkey’s master distiller Jimmy Russell and associate distiller Eddie Russell. Prior to the event I’d been sent samples of Wild Turkey 101, Wild Turkey Kentucky Spirit, Russell’s Reserve 10 year old Bourbon, Wild Turkey Rare Breed, Russell’s Reserve 6 year old Rye, and Wild Turkey American Honey. The event was Jimmy and Eddie leading a group of bloggers in a tasting of each of this bottlings and sharing their stories from two lives of making whiskey.

I’d met Jimmy Russell briefly last year at a Wild Turkey tasting at Bourbon in DC. He was just as affable with a half dozen bottles of whiskey and a camera in front of him as he was in person.

One of the things that stood out in this tasting was the extent to which making bourbon is a family affair, with progress measured in the time frame of a person’s lifetime. Jimmy Russell has been making bourbon since the 1950s and his vision for Wild Turkey is the one that largely drives what the distillery does. I asked Jimmy and Eddie if they’d considered selling an unaged or white whiskey. Jimmy pointed out that in eastern Kentucky, his friends call that moonshine. While tastings of unaged whiskey are available at the distillery, Jimmy said that he doubted they would start selling moonshine while he was alive. And this was something that we heard at least three or four times over the course of the tasting – experiments or different types of bottling would not be tried while Jimmy was alive.

Anyway, on to the whiskeys.

We started with Wild Turkey 101. This is a bourbon that has always been a favorite, as I could get it at most bars (including a lot of great East Village dive bars). It’s mostly made with seven year old bourbons, but has some six and eight year mixed in as well. It starts with heavy caramel smell on the nose, but doesn’t have an alcohol scent even with the higher proof. The taste is a classic bourbon taste – caramel, honey, and vanilla stand out. There’s a big, bold finish and the taste lingers for a while. Something that you see with the 101 but is common throughout Wild Turkey’s bourbons is that the finish actually leaves the tongue slightly cool. Jimmy and Eddie say this is by design and seeks to make the whiskey refreshing.

Next we tried Wild Turkey Kentucky Spirit, a single barrel bottling. Jimmy hadn’t wanted to make the Kentucky Spirit because he wanted all the bottles of a product sold to taste the same and it’s really hard to do this with single barrel bottling, because there is a different taste between barrels. The Kentucky Spirit starts off with more alcohol on the nose than the 101, with hints of vanilla and fruit. I start off with a toffee taste and richness of oak. There’s also a rye flavor on the tip of the tongue that has a peppery pop to it. It’s actually more mild than the 101 and has an oily mouth feel. There are also really long, thick legs on the glass.

Russell’s Reserve 10 year old Bourbon was one of my favorites of the evening. Apparently Jimmy was reluctant to have a product line with his name on it. But once they moved forward, he wanted a well aged bourbon. The Russell’s Reserve starts as a 101  proof, but is lowered to 90 proof with water. It has very thin legs and a very strong alcohol and caramel bouquet on the nose. Up front, the Russell’s Reserve bourbon has a light taste of honey and nuts, but a really strong finish. The finish is a big, thick vanilla flavor; I also tasted rootbeer coming through. There’s a burn on the back and sides of the tongue. This was a good example of how everyone’s palate is different and will taste different flavors in a whiskey.

We next tasted Wild Turkey Rare Breed, a twelve year old bourbon. It is barrel proof – bottled straight from the barrel – at 108.2 proof and only made in small batches of barrels. It has a really big nose and great woody profile. It had what I found to be the richest, oiliest mouth feel and an intense caramel color. The bourbon starts with lots of spice and a rich caramel sweetness up front. It has an incredibly long finish, with notes of dark chocolate. It really doesn’t taste as hot as you would expect a 108 proof bourbon would taste.

We next moved to taste the Russell’s Reserve six year old Rye. It had pretty thick legs and a nose of honey and lemon. While there’s a good deal of flavor in the rye, it is much more earthy than bourbon. The flavor is salty, earthen, and a little bitter up front, with a slightly sour finish.

Jimmy and Eddie both credited modern craft bartenders and the younger generation with bringing rye back to prominence in American drinking. Eddie said, “Not many people drink rye, then all of a sudden, the younger generation is using rye. [Modern mixology] is the biggest thing that is driving rye production in the industry.” When they first made Russell’s Reserve Rye, they sold out within the first few months. Right now, Jimmy and Eddie predicted that they will need three to four years before they can supply enough rye for what people need. The size of the phenomenon seems to have caught them by surprise and this isn’t the sort of product that you can magically create when there is month to month or year to year demand.

The tasting finished with Wild Turkey American Honey, a bourbon-based liqueur. I’m pretty familiar with it, as a number of women I’m friends with swear by it. It’s really a dessert product that Jimmy and Eddie recommended be poured on top of ice cream or added to lemonade. American Honey has a very thick and creamy mouth feel – a lot like honey. The flavors are fairly straightforward – bourbon, honey, and a light bit of lemon.  It’s a great product for people who don’t like bourbon, but a bad one for people who don’t like honey.

A couple other notes from the tasting…

  • Eddie said that as long as Jimmy is here, Wild Turkey will not make a wheat bourbon.
  • In response to a question about if they would consider trying to finish any of their bourbons in a sherry cask, Jimmy said that they had tried finishing Russel’s Reserve Bourbon in a sherry cask. They’d sold it in duty free shops, but they really didn’t like it. Jimmy said, “We wasted a lot of good bourbon putting it in sherry casks and we don’t do that any more.”
  • Jimmy and Eddie believe the thing that separates Wild Turkey from other bourbons is their tradition. Watching these two talk about their lives’ work for an hour plus makes me think that tradition truly is something that drives what they do.

While the event was really fun and interesting, the quality of the production was unfortunately not up to snuff. The audio quality was pretty horrible on both the live stream and the conference call audio line. I’ve done a lot of events like this in my professional life and there are lots of things that can go wrong, but doing things right is also manageable with experience. Hopefully if they do another event like this, there will be better a/v setup. Of course, the quality of the live stream didn’t diminish the quality of the bourbon. The event on whole was great and I’m appreciative of the folks at Wild Turkey for pulling it together.

Disclosure: This post was made possible because I received free samples of Wild Turkey 101, Wild Turkey Kentucky Spirit, Russell’s Reserve 10 year old Bourbon, Wild Turkey Rare Breed, Russell’s Reserve 6 year old Rye, and Wild Turkey American Honey.

Posted by: Matt Browner Hamlin | June 21, 2010

Painkiller

The New York Post has a great review of Painkiller, a new tiki bar that’s opened on the Lower East Side of Manhattan. I haven’t been yet, but the Post’s review makes me want to go even more. Beyond the fact that the bar is named after one of my favorite tiki cocktails, it seems like they’re doing tiki with a level of seriousness primarily on show on only at the best craft cocktail lounges.

What’s really cool is that Painkiller has posted all of their drinks’ recipes on their website. Their drinks are broken up by Frozens, Daiquiris, Inglorious Suffering Bastards, Mai Tais, Swizzles, Zombie Punches, Cradles of Life, and Painkiller’s Choice. I absolutely love this. One of the hardest things is going to a cocktail bar, having an incredible drink, then having to either divine proportions through taste or watch a bartender so closely as to see exactly what is being done. I generally don’t like asking for a specific recipe at a bar unless it’s a drink I know I’d want to make repeatedly at home, though that’s more of my personal desire to not ask too much of the bartenders who serve me.

So much of what’s being done now in the tiki movement is based on painstaking research and experimentation. Jeff Beachbum Berry has really enabled major progress through his excavations and testing. Blair Reynolds has brought classic syrups from Don the Beachcomber and Trader Vic’s forward through his line of syrups. And even the cocktailians at Painkiller have posted a Research section where they will talk about their investigations into tiki cocktails. The investigation into the Pina Colada is as exhaustive as any I’ve seen into a particular drink’s history.

As I said, I haven’t been to Painkiller yet, but have been looking forward to going for some time since I heard they would be opening. Everything I’ve seen from their site and press online makes me think Painkiller is a real hit and I look forward to going soon.

Posted by: Matt Browner Hamlin | June 17, 2010

Between the Damms

Gary Regan, in his column in the San Francisco Chronicle earlier this month, posted a new recipe for a cocktail made with rye, bourbon, and Xante pear liqueur. I’ve been pretty enamored with Xante since I first tried it, but haven’t seen it used successfully in too many cocktails yet. I’ll have to give this one a try soon:

Between the Damms

1 1/2 ounces 10-year-old Michter’s rye
1 1/2 ounces Elijah Craig 18-year-old single-barrel or other well-aged bourbon
1 1/2 ounces Xanté pear liqueur
1/2 ounce fresh lemon juice
2 dashes Angostura bitters

Instructions: Place all ingredients in a cocktail shaker. Add ice. Shake and strain into a chilled cocktail glass.

Posted by: Matt Browner Hamlin | June 5, 2010

E.O. Lime Cordial Gimlet

One of the first non-highball cocktails that I got into making for myself was a gin Gimlet. I was in college and to that point, a cocktail was a Jack and Coke, a Gin and Tonic, or, if things were adventurous, a Margarita from a mix. For some reason, though, a Gimlet seemed like a good change of pace on a hot summer day. Honestly, my Gimlet phase didn’t last more than a few months, in part because I never found a balance that worked with Rose’s Lime Juice that I really liked.

We all know Rose’s. It’s cloyingly sweet, chemically tart, and a disturbing yellow-green color. And if you’ve ever had a cocktail with a heavy pour of Rose’s, you’ve probably regretted your choice and wondered why someone would make such a product in lieu of fresh lime juice. Lime cordials were created to help prevent scurvy amongst sailors during the 1800s. According to The Museum of the American Cocktail’s pocket recipe book, “the Gimlet was created by a clever ship’s surgeon, Sir Thomas D. Gimlette, sometime during the late 1870s.”

If you’re going to be a stickler, Rose’s lime juice is required for a Gimlet. A side effect of this is it is a cocktail that I have essentially never had since I got into craft cocktails. I haven’t wanted to waste my time on a cocktail made with Rose’s. This is really a shame because a well made Gimlet can be incredibly refreshing.

Employees Only is one of the premier craft cocktail bars in New York City and their head bar chefs Dushan Zaric and Jason Kosmas have recently launched a line of artisanal syrups, including a Lime Cordial and Grenadine. They describe their Lime Cordial, which is going to be an immediate alternative to Rose’s for anyone who cares about the quality of the products they use, as ” made from 100% lime juice, sweetened with agave nectar, accented with kafir lime leaf. It’s delicate hue and true lime flavor make EO’s Lime Cordial a true artisanal product and a wonderful complement to classically inspired cocktails.”

Gimlet

2.25 oz gin (Beefeater)
0.75 lime cordial (Employees Only Lime Cordial)
Squeeze of 1 lime wedge

Shake ingredients over ice. Strain into a chilled cocktail glass. Garnish with a lime wheel.

I like my Gimlet’s with a tiny bit of fresh lime juice to add a bit of fresh sour flavor. But it’s still a cocktail driven by the cordial. The Gimlet made with Employees Only Lime Cordial is pretty fantastic. It is sweet, but not cloying. It’s also tart, but with the sort of lime sour flavor that you get with fresh, quality ingredients. There’s no chemical bite to it and it’s quite a change of pace from Rose’s. The use of agave as a sweetener in the cordial really lightens the sugar of the cordial and lets the lime and kaffir lime leaf step forward.

It’s also worth noting that the Gimlet with the EO Lime Cordial looks like a cocktail made with lime juice. The Gimlet takes a light golden and cloudy hue, evidence that no blue dyes were used in the making of this drink.

I’m definitely impressed with the Employees Only Lime Cordial. Lime Cordial isn’t an ingredient that I’ve used a lot of in my cocktails, but I haven’t had an ingredient that I liked the taste of enough to use. The Employees Only syrups are currently only available in New York, though they are being sold by Fresh Direct, which has got to be pretty convenient for New York cocktailians.

Disclosure: This post was made possible because I received free samples of  Employees Only Lime Cordial and Grenadine.


Posted by: Matt Browner Hamlin | June 4, 2010

Clash of the Cocktail

The Washington City Paper is conducting their 2010 “The Clash of the Cocktail” event, featuring Don Julio tequila and Ketel One vodka recipes made by almost 20 of DC’s prime bartenders. You can see all the recipes and vote for your favorite here.

Last night I tried Sean Quinlan of Bar Rouge’s tequila cocktail, Too Much Chocolate and Tequila Makes Me Want A Siesta. It’s basically a heavily-bittered tequila Old Fashioned. Here’s the recipe:

Too Much Chocolate and Tequila Makes Me Want A Siesta

1.5 oz. Don Julio Reposado
1 oz. Agave Nectar
10 Dashes Xocolatl Mole Bitters (Bitter Truth)

I built this cocktail in a mixing glass, filled it with ice, stirred the heck out of it, then strained it into an Old Fashioned glass with one giant ice cube.

I tried this cocktail out of all the delicious submissions for a number of reasons. First, I love Old Fashioneds and this is an Old Fashioned to a T, as it has been known since 1806. It’s just a spirit, bitters, sugar and water (from the stirred ice). Second, there seems to recently have been a lot more cocktails made with inordinate amount of what are traditionally thought of non-potable bitters. While one ounce of Angostura Bitters  in the Trinidad Sour still puts Quinlan’s drink to shame, 10 dashes is a lot of bitters…and a lot of bitters are fun.

The Too Much Chocolate and Tequila Makes Me Want A Siesta has a very rich, earthy taste driven by the chocolate bitters and agave nectar. It even has a very creamy mouth feel and taste, again driven by the agave. It’s clear that agave and these chocolate bitters really blend together well.

But how does it work as a cocktail? The heavy sweetness makes this drink accessible for people who may not like drinking tequila cocktails, but it isn’t very remarkable. The tequila flavor is easy to get at, but you have to sort through a lot of sugar to find the savory tones.

It’s too sweet for my taste and not bitter enough in the right ways. This is a drink that looks like an Old Fashioned, but with dramatically more sugar and bitters. What it isn’t is a real bitters-driven cocktail, thanks to the heavy hand with the nectar. It could have been a tequila Old Fashioned or a bitter-based cocktail, but it tried to straddle both and failed.

I wonder if the cocktail might better from having more than one kind of bitters. The bitter component becomes fairly one-dimensional with all the agave and might have been expanded if there were a second kind of bitters, say Fee Brothers Aztec Bitters or even good, old Angostura Bitters.

There are a lot of good ideas floating in Quinlan’s simple, three-ingredient cocktail, but in the end, I doubt this is something that will win out in the Clash of the Cocktail.

Update (7/27/10):

Last night I was one of three judges for the finals of Clash of the Cocktail. Sean Quinlan’s cocktail was one of four finalists that was reviewed. The version Sean made for us included Bar Rouge’s house agave nectar, which starts with a commercial brand then has over 20 spices added to it. The result was a cocktail that was not as cloying as the one I’d made with Partida’s agave nectar – and thus a far superior cocktail to the one I’d made at home and reviewed in this post. I was glad to have Sean’s version as he intended it to be made. The drink ended up coming in fourth, but was a strong competitor in a strong field of finalists.

Posted by: Han Shan | May 31, 2010

Volstead Be Damned: Boulder’s Bitter Bar

For the multitudes that have awaited the second installment of my report from a (very) brief drinking excursion in lovely and then-snowy Boulder, CO– thank you for your patience. My apologies for the inexcusable delay. It’s an inauspicious start to writing here at Mr. Browner-Hamlin’s delicious booze blog (sorry, Matt!). In my defense, I’ve been busy, and even got tossed in jail this past week in Houston. Ouch. But I digress already.

Now, after I left the friendly West End Tavern a couple weeks ago, I went around the corner to The Bitter Bar at Happy Noodle House. It was only a couple blocks away. It was still relatively early but I didn’t have long before I’d need to head for a shuttle bus to take me to the Denver airport.

The Bitter Bar is home to some of the biggest new (and not-so new) names in mixology anywhere between the coasts so as I pulled up a seat at the bar, I decided to put myself in the surely-capable hands of whomever came to help me. Wearing a snappy vest, tie, driver’s cap (I’m not crazy about the hat-behind-the-bar trend myself), and a friendly smile, the bartender came over. I told him I’d be having dinner, that I wanted a pre- and post-dinner cocktail, and that I had to walk out the door in 90 minutes.

I added that I’d been looking forward to visiting to offer my felicitations for having provided a bartender to Team USA, which brought home the gold from the ‘42 Below World Cocktail Competition‘. The bartender, Michael Cerretani, humbly told me that it was fellow bartender Mark Stoddard who’d made the joint proud, and that he wasn’t working that evening. However, he told me, I should really meet James Lee, the bar manager, and chief mixologist for all six Big Red F restaurants, including the West End Tavern.

He brought James over and introduced me like I was some cocktail big shot – as if – and I told James the same thing; dinner and a cocktail before and after. Ninety short minutes before I had to run. Cheerful and polite, James asked me a couple probing questions about what I liked. The details escape me but I told him I liked whiskey and gin, bitter more than sweet. He nodded and went to work.

A few minutes later, James presented me a handsome plum-colored drink in a rocks glass with a single rectangular log of ice. James stood by expectantly as I took a sip. Damn, it was delicious; just what the doctor ordered. I found it to be a textbook example of a complex cocktail with a perfect, artful balance of dry, sweet, bitter, and sour. Wow.

He had assembled the drink at the rail perpendicular to mine so I couldn’t see the precise goings-on, but he told me it was a ‘Sun Also Rises,’ made with Bitter Bar single-barrel (ri)1 rye whiskey, Sloe gin (I think it was Plymouth but I didn’t write it down), fresh lemon juice, a dash of agave, and an absinthe rinse.

Just before writing this, I looked around for a recipe and found a reference to a ‘Sun Also Rises’ cocktail from Charles Joly at Chicago’s ‘The Drawing Room‘ that includes sloe gin, absinthe, lemon juice and sugar, so I gotta think I was either sampling James Lee’s version of an obscure classic, or that either Lee or Joly’s is a pastiche of the other’s original (anyone know?). Anyway, I didn’t pester James for the exact proportions, but I’m looking forward to playing with it and enjoying this delightful cocktail at home.

The house (ri)1 gave it a spice that the tangy sweetness of the sloe gin built upon, rounded out with the sweet and sour of lemon and agave. I tasted the anise of the absinthe only in the finish, with a smokiness in the back of my throat. The strong whiskey-based ‘Sun Also Rises’ cocktail perfectly suited my palate and mood, and what I told Lee I was looking for. Seventh heaven so far! Hot damn, I relished it.

For dinner, I ordered the Steamed Vegetable Moneybag with spring peas, crispy yams, crispy tofu, and a “micro salad.” I’m a vegetarian (don’t hate) so my options were a bit limited, but it was actually damn good. I was craving some fresh good veggies but wanted something hearty enough to absorb some of the booze. It wasn’t cheap but it hit the spot.

As I ate and relaxed at the bar, bartenders James Lee (on twitter here) and Michael Cerretani were both very affable and kind enough to get geeky with me about cocktails, spirits, bartenders and tippling trends. James told me about sourcing single-barrel whiskies and sharing tips with tenders from Portland to New York.

After polishing off my meal and a few tall glasses of cold water, I was ready for my after-dinner drink. I enjoy a Negroni or a post-dinner Old Fashioned or maybe some Amaro on ice, but I haven’t come across many true, artful digestif-style cocktails. I challenged James to make me one.

Once again assembled as I watched over his shoulder, James presented me with a cocktail served up in a unique crystal coupe glass – according to Michael, James collects vintage glassware. At that point in my evening, my phone (and camera) was long past put away, and I failed to take good notes. But I’ll tell you that at my first sip, I knew that James outdid himself. It was a unique, mellow, delectable drink, made with Small’s gin, Italian Amaro CioCiaro liquer, ‘Agwa Bolivia’ coca leaf liquer, a splash of Maraschino liquer, with an orange twist.

Michael had introduced me to Small’s Gin, a very interesting American artisanal gin distilled by Tad Seestedt of Ransom Cellars near Portland, with a very aromatic nose and a strong taste of cardamom and other botanical notes in place of straight-forward juniper. I read a review at drinkspirits.com in which the writer complained that the strong cardamom flavor was absolutely overpowering and he couldn’t imagine how to mix it into anything palatable. But it seems to me that James Lee figured it out – and nailed it – with this outrageously delicious, bitter, earthy, multidimensional cocktail.

As I mentioned, I didn’t take good notes and frankly, my palate isn’t educated enough to provide a worthy description of the literally fascinating combination of flavors Lee balanced in this drink, but I remember tasting anise, almond, cinnamon, and spearmint. It had an herbal nose reminiscent of Angostura (gentian?), with the tasty orange oils effervescing on top.

I’d never tried the Agwa‘ Bolivian coca leaf liquer, which I had been hearing about for a bit. I’m usually eager to try new spirits and liquers but also skeptical of heavy-handed marketing and silly trends. The stuff has been marketed as an “energy liquer” with the subtle implication that you’ll catch a cocaine buzz, and it does contain natural source of caffeine guarana, as well as ginseng and green tea. I’m not sure how much ‘Agwa’ was in the cocktail I enjoyed, but I was awake and alert all the way to Denver and onto the plane home. I’m eager to try it on its own.

I asked James the name for this impressive concoction and he said he’d just invented the drink, and it was as yet without a moniker. “Well, c’mon, my man– that was great. It needs a name!” I told him. “It’s mostly Italian.” (the Amaro dominated, and the splash of Maraschino sweetness seemed to tie the thing together) “so…?”

“Okay,” James relented. “How about Ciao Bella.” Indeed. Hello beautiful!

My visit to the Bitter Bar was very brief but immensely enjoyable. With the tag-line “Volstead be damned,” these guys are earnest about their imbibing and about sharing the best with the folks on the other side of the stick. But as it says in the house rules, “we take our cocktails seriously, but not ourselves.” I found this to be gratifyingly true.

By the time I stumbled towards my shuttle bus, I had a good buzz, as much from the friendly conversation as the artful and delectable drinks. I was struck by how open and easy-going the place was. In order to enjoy such cocktail artistry in New York, one must too often contend with a restrictive door policy, a long wait, and rude or at least condescending bartenders. The one cocktail place in New York I’ve been with a similar open atmosphere and nice, helpful people is The Summit Bar in Alphabet City. Maybe I’ll pay a visit to that joint again soon for a comparison and a write-up here.

Or maybe, for my next post, I should visit a place I can pan to make up for the obscene praise I’ve heaped upon the Bitter Bar. But what can I say? It was a delight beginning to end. Maybe I’d find something to pick on if I’d had more than an hour and a half? I look forward to returning to find out.

Cheers.

Posted by: Matt Browner Hamlin | May 26, 2010

Dan Searing’s Ghost Manhattan

I’ve had the pleasure of having drinks made by Room 11’s Dan Searing a couple of times in the last six months. First was his Atholl Brose at the 2nd Annual Repeal Day Ball, which inspired me to make my own. This classic Scottish combination of scotch, oats, honey and cream is like a DIY liqueur, easily prepared in advance and a delicious change of pace for people used to Egg Nog and Hot Buttered Rum around the holidays. More recently, I had Dan’s Gno Puc (aka Nut Punch), a Hendrick’s based punch featuring Dan’s own vin de noix, at the World Cocktail Week dinner at PS 7s. Another great drink, to be sure, and it is now on the menu at Room 11.

I made my long-awaited first trip to Room 11 last night. It was a beautiful night in DC and the bar’s large patio was pretty crowded. The inside space was empty, though, so we decamped to the bar for a few cocktails and a light dinner. I loved the aesthetic of the bar. Room 11 is on the corner and the bar itself is right at the entrance, filling the small space with a nicely curved, metal top. There is seating around the windows as well. I’d imagine that in the winter Room 11 gets pretty packed inside, but in the summer, with a large patio, the bar was quiet and friendly. It has a real neighborhood feel, including some new parents toting their infants in while they enjoy a cocktail and a snack.

I have to keep the post short, so I’m going to get right onto it. The food was phenomenal (Lori and I shared the risotto, a panini, and a flight of three cheeses). All of Dan’s cocktail were great, but one stood out as truly phenomenal to me. He’s working on a series of Manhattan variations using unaged whiskey. I had his Ghost Manhattan, which features Death’s Door White Whiskey.

Ghost Manhattan

3 parts Death’s Door White Whiskey
1 part Dolin Blanc
Angostura Orange Bitters

Build in an ice-filled mixing glass, stir and strain into a chilled cocktail glass. Garnish with a white grape

The white whiskey and Dolin Blanc work incredibly well together. The Dolin is very floral, with a great citrus profile. It adds a nice, sweet balance to the whiskey. But the Death’s Door White Whiskey has a great floral profile on its own. The result is a contemporary twist on a Manhattan that is light and refreshing in a way the traditional version rarely achieves. The grape garnish is great too – I’d worry that if it had a twist, it would be mistaken for a Martini.

Though I did not try it last night, Dan says he’s also making a Silver Manhattan. This is the same ratio as the Ghost Manhattan, but uses High West Silver Whiskey, which is a white whiskey made with 85% oat and 15% barley malt.

White or unaged whiskey’s are definitely a big, new thing for micro-distilleries. Finding ways to use them in cocktails is going to be a new front for cocktailian bartenders. It’s clear to me that Dan is on to something great with his white whiskey-based Manhattans.

Posted by: Matt Browner Hamlin | May 26, 2010

What Atrios Said

Food related, but relevant for visiting bars with charcuterie.

Head cheese is not cheese, but it is in fact made of head.

True.

Posted by: Matt Browner Hamlin | May 24, 2010

Bacardi’s True Originals Contest

Bacardi has been doing a  high-quality series of videos called True Originals. Each looks at a fictionalized cocktailian bartender making their unique take on classic rum drinks. The one above highlights the Mojito, while previous versions have featured the Daiquiri and the Pina Colada.

With the video series, they are now inviting people to submit new twists on the Mojito. This is a really interesting challenge. The Mojito is a cocktail that I consider part of the canon. It does what it does incredibly well – a sublime combination of rum, lime, sugar and mint. There isn’t an easy way to modify this recipe without fundamentally walking away from what it does so well. Adding flavors while maintaining the simplicity is a contradiction in terms.

To help me think about what I wanted to make to modify the Mojito, I looked at the recipes three of my favorite bartenders use for their version. Phil Ward’s includes a heavier pour of rum and uses lime juice instead of muddling, while he adds Angostura Bitters and eschews club soda. Gary Regan has a recipe that I think of as most traditional – muddled lime, sugar, mint, rum, and club soda. And after doing some testing, I would say that Dale DeGroff has my favorite recipe for my home use:

Dale DeGroff’s Mojito
2 sprigs mint
1 oz simple syrup
0.75 oz lime juice
1.5 oz rum
2 dashes Angostura Bitters
Soda Water

Muddle one sprig of mint with lime and syrup. Add rum, bitters and ice and shake. Strain into an ice-filled high ball and top with soda water. (NB: The recipe is DeGroff’s but I don’t have his building instructions handy, so I am cribbing)

This is just a fantastic Mojito. It is light, crisp, tart, and balanced. I don’t know that I’ve ever made a better Mojito than when I’ve used DeGroff’s recipe. It’s just stellar.

When I was thinking about how I would make a modified Mojito, I wanted to reach towards DeGroff’s model, which meant using Angostura bitters and fresh lime juice. I also have found that using sparkling mineral water, as opposed to seltzer or regular club soda, yields a much crisper drink (I like using Apollinaris).

I also thought about one of my other favorite rum drinks, the Papa Doble, which is a Daiquiri with maraschino and grapefruit juice. I thought the model for the recipe, with the added fruit juice and small amount of liqueur, offered some potential structure for modifying the Mojito. I also thought the combination of mint and ginger in the Gin-Gin Mule offered a good instruction for another flavor to add to the mix.

I’m not certain that what I resulted with is what you would expect from the off-spring of the Mojito, Gin-Gin Mule and Papa Doble. Grapefruit juice was too dominant and I didn’t want to make a Papa Doble with club soda. But I do think it is something that is fun, light and clearly a relative of the Mojito, and if you look closely, these other phenomenal cocktails.

Finca Vigía Mojito
2 oz Bacardi Superior Rum
0.75 mint syrup*
0.75 fresh lime juice
0.5 oz fresh orange juice
0.25 oz Domaine de Canton ginger liqueur
Dash Angostura Bitters
Sparkling Mineral Water
Mint

Combine Bacardi Superior Rum, mint syrup, lime, orange, Domaine de Canton, and Angostura Bitters in an ice-filled shaker. Shake and double-strain into a crushed-ice filled double rocks glass. Top with a splash of sparkling mineral water. Garnish with a sprig of fresh mint.

* Mint Syrup: Make simple syrup with equal parts sugar and water. Add fresh mint leaves (10-12 per 4 ounces of syrup), lightly muddle mint, and let stand in refrigerator for 24 hours or until syrup has strong mint flavor. Strain mint leaves from syrup and store refrigerate the syrup until needed.

I have a couple thoughts on this creation. I think I meet the first goal I set for myself of capturing some of the flavor and complexity of the DeGroff Mojito, despite adding two new ingredients. This is definitely a different drink than the Mojito, though it stays light and refreshing. At the end of the day, I think this is a cocktail that I could enjoy on a hot, humid day in San Juan or Havana. And isn’t that the real measuring stick for the success of a cocktail inspired by a Mojito?

I went towards using a mint syrup because I wanted to find a place to have some difference from a Mojito. I think this still allows for much of the light and refreshing taste of mint. Sure, between this and the fresh lime juice, the iconic act of muddling is no longer a part of the cocktail. But I’m not going to succeed at reinventing the Mojito. It is already done too well. Simple improvements are nigh impossible. What I’ve made is a drink that is inspired by a Mojito, that seeks to honor the Mojito, but I hope is humble enough not to claim to be a Mojito.

Oh and the name, Finca Vigía, is the name of Ernest Hemingway’s house in Cuba. Again, as the Papa Doble was part of my model here, I wanted to honor him in the name of the drink.

Posted by: Matt Browner Hamlin | May 20, 2010

Doubled & Twisted Light Whiskey

Charbay is one of the most interesting micro-distilleries I’ve encountered. Charbay is a family affair from California that do a wide range of spirits and wines. A few months ago I was fortunate enough to try some of their 2nd release whiskey, courtesy of of Joe Riley. It is a whiskey that has its basis in beer, distilled and flavored with hops that stands out with a remarkably unique character, unlike any other American whiskey. It was a pretty remarkable spirit, though the bottle price reached upwards of $300 here in DC.

I was fortunate enough to, almost simultaneously, receive an email from Susan Karakasevic, one of the owners of Charbay. I told her about enjoying the whiskey and she offered me up a sample of the newest product from America’s newest master distiller, her son Marko. The new whiskey, Doubled & Twisted Light Whiskey, is actually Marko’s thesis project:

To become a Master Distiller, Marko was to source, distill and bring to market a spirit equal to or better than spirits he’d distilled under his Master. Marko’s thesis is a whiskey called Doubled & Twisted, which is an old distilling term referring to a critical point in the second distillation. When he told his father he had sold his first case, Miles, beamed with pride, shook his hand and said: “Congratulations, Marko. You are now a Master Distiller. Let’s drink some whiskey and smoke cigars.”

Doubled & Twisted is an unaged whiskey – white dog is really becoming popular these days, no? It weighs in at 99 proof. While Marko is still working on a barrel aged version of this whiskey, the initial product is clearly ready to go. Like his previous whiskeys, Doubled & Twisted is based around beer and hops:

Whiskey is distilled from beer, globally. If the final result is a 20 to 1 reduction, doesn’t it make sense to use the best beer possible? That’s what I did and I am sure the IPA beer I used, hops and all is the most expensive beer ever used to make whiskey. The result of using a great IPA is all the hop flavors and two row malty flavors distilled over into the final spirit. The hops give the D&T a fruity, floral, very green spicy character, unlike any other whiskey out there. That is exciting to me. I did not want to duplicate anybody’s style of Whiskey; I wanted to make my own style that accents the ingredients.

Doubled & Twisted is totally clear. In the glass it has very fine, thin legs. The nose is dominated by cherry and apple, with light hints of honey and grapefruit and floral elements that I wasn’t able to clearly pull apart.

The whiskey tastes very green and spicy up front, with a strong hops taste that comes as an amalgamation of pepper, clove and curry. The cherry that I smelled in the nose hits in the mid-palate. There is a light burn in the back of the mouth that fades quickly. While there’s a lot of flavor going on with this whiskey, it isn’t entirely balanced throughout the mouth, with much of the taste hitting the front of the tongue and fading towards the back of the mouth.

Adding a bit of ice really mellows out the spice and heat, but still there is a grassy, green, hoppy taste. The water brings out more subtle flavors of cherry and a little bit of banana. With the ice and water, Doubled & Twisted actually seems closer to a white rhum agricole than any aged whiskey I know.

Though I was really unsure what direction to take this whiskey in with a cocktail – I’ve never mixed with an unaged whiskey before – I thought the strong cherry flavors I get would pair well with maraschino liqueur. As such, I thought it might be fun (and a little crazy) to try the Doubled & Twisted in a Fancy-Free Cocktail.

Doubled & Twisted Fancy-Free

1.5 oz Doubled & Twisted Light Whiskey
0.5 oz maraschino liqueur
Dash of Angostura bitters
Dash of Orange bitters

Stir over ice and strain into a chilled cocktail glass

This turned out to be a great decision. The Fancy-Free with Doubled & Twisted is much fruitier and lighter than its bourbon-based relative. The unaged whiskey pairs really well with the maraschino. There’s still a good deal of heat, showing that while the flavors are compatible, the Doubled & Twisted’s unique character is not lost in the cocktail.

So with all that in mind, what can I say about Doubled & Twisted. It’s different and unique. The use of hops really takes whiskey in an exciting direction and a clear sign of Marko Karakasevic’s creativity as a Master Distiller. I don’t have a lot of experience drinking unaged whiskey (I think the last time I did, it was real West Virginia peach moonshine), so it’s hard for me to measure this against anything other than more traditional base spirits. It is definitely different and as I saw with the Fancy Free, could open up to a lot of potential cocktail pairings. And with a bottle price of $58 (but if you’re in California only) it actually is something that you can stomach the chances of mixing without going into palpitations like you might with their aged whiskey. If you like unaged whiskey and can get your hands on some Doubled & Twisted, I’m sure there are great things to be done with it in cocktails. If not, you’ll have to look longingly to the West.

Disclosure: This post was made possible because I received a free sample of  Doubled & Twisted Light Whiskey.

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